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Abstract
L’Antigone. Recitativo per voce sola (The Antigone. Recitative for voice alone) is not
a ‘rewriting’ but a real ‘trans-writing’. L’Antigone is no longer just a body belonging to a myth,
but rather a ‘body-person’ who knows how to ask: how to ask about desire and its desire for
a possible, desirable and livable time. L’Antigone claims from her body the body of the other.
L’Antigone, in this writing, demands closeness. This is the focal point of the meeting between
me and Antigone: love of the body, love for the body and love in the body whatever it may be.
L’Antigone has herself told in a poetic way through the use of a ‘maternal’ language: that language
that each of us must be able to learn anew.
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